4/29/2024 0 Comments Film japanese video bokeh museum![]() Underlying this change is an incredibly talented community of craftspeople who connect tradition with modernity, in their quest for continual progress. The debut season of "The Makers" is anchored in Kyoto, a city that provides a perfect backdrop with its deep history under transformation. The first season showcases six celebrated craftspeople who push their artisanry into a new era while honoring the past of their trade, while the second season showcases five accomplished Japanese architects who share insights into the design philosophies they apply when creating a thoroughly modern Japanese aesthetic. The artisans of Japan are the fitting stars of "The Makers" series who share their personal design philosophy and source of inspiration alongside a visual feast of their quintessential works. And as a brand with deep roots in Japan that also strives to push design boundaries, Modern Japanese Luxury is a subject close to INFINITI hearts. In this spirit, INFINITI launched "The Makers," video series, to bring the often-elusive subjects of modern Japanese artistry and design into focus through an immersive, visual exploration. One of the clearest manifestations of this delicate dance is through Japanese design and craftsmanship which artfully marry this balance in concrete, beautiful forms. Part of the allure is a culture in balance, forever evolving and changing, yet deeply and inextricably intertwined with its own unique heritage. Yokohama, Japan - For almost three years, the borders to Japan have been closed to the outside world, only just reopening recently to tourists hungry to explore this always fascinating country. So I don't really feel like I'm missing anything, but if you're coming from a modern Arriflex IVS then it may seem like a step down. There's no flicker-free, frame store, overlays, nothing. The original B&W Moviecam SL tap is very, very simple. Then you just get normal mirror shutter flicker, just as it looks in the eyepiece. There is rolling shutter tearing at all video assist frame rates (29.97p, 59.94p) while the camera is rolling, except for 59.94i. I've only worked with taps on much older Arri's or Aaton's of course. I wonder how the Moviecam's work in that regard. So they're progressive scan cameras but put out an NTSC interlaced signal at whatever frame rate you want, flicker free. So does it flicker at all? I know on the Aaton's, the film camera sends a signal to the tap that tells it when to snap a picture and there is a little frame buffer on board that holds that frame until the next snap. The ribbon cables are basically single use expendables, so you need quite a few if you're tinkering. I probably would look for a more modern camera with 24p and flicker reduction features if I were starting today.įor myself, I went with this camera: Took apart the boards, ordered matching ribbon cable and power cables. I know his version will be much more polished than mine. Greg is using a different camera for his tap - no idea what he is using, and I wouldn't reveal his trade secrets anyway. I ended up paying around $2500, probably spent around $1000 on parts. The more you can do yourself, the more you'll save. ![]() You're right that labor/setup is the highest cost. He only charged me for labor, but I provided all the parts and had the camera/lens built already. This one is my design which Greg machined together and focused/centered the optics. How much did he charge ya? I need to get a 3 perf studio camera at some point and will probably get another moviecam because they're tanks and not too expensive when they show up like the arricam's are. Do you know what camera he used? They're not very expensive to buy, but the labor to install and setup is high, hence the reason why people generally charge so much. No there are no HD taps specifically made for the standard Moviecam's, prior to Arri's buying of them. You should ask az spectrum, na never know! It requires a tiny bit of re-engineering, but a decent tech who has converted taps before, should be able to do it. So for the standard Moviecam SL, you'd need someone to replace the video tap circuit board with a "board CMOS or CCD camera" which will give you a pretty decent HDSDI video output. The Moviecam SLMKII is kind of a hybrid between the Moviecam and Arricam SL. They shaved as much weight as possible by making the housing much narrower and still retained quietness. They're basically moviecam's with the sprocket drive pushed forward and raised above and below the movement to make the design more compact. The Moviecam SL is more similar to the standard Moviecam's. Wondering if the video block is interchangeable. Not to completely hijack this thread, but just how similar are Arricam LTs and Moviecam SLs? Want to rig my SL with an IndieCam Assist, but wow, they are pricey! Like 3x the cost of my camera package.
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